the easter project for 1984 begins to hint strongly of the music that the band would make under its later name. with borrowed pro-1, moog rogue & casio-202 in tow, & once again upstairs in the attic studio, we created a collection of sequencer based pieces including the centrepiece "good friday". on a technical note, these pieces were recorded in a ten-day period & consist of a stereo backing-track & a single stereo overdub, using multiple ¼" decks also for tape-echo. the spring-reverb was in a small roland keyboard amp, & we also had steve's prodigy, & possibly a chorus pedal. the backing tracks were usually done in the morning, & the overdubs after lunch, which (most days) included some 80-bob down at the ship-inn. aye.